Entertainment · Film · 14 hrs ago
Palestinian filmmaker turns suppressed archive footage into a collage film
Palestinian filmmaker Kamal Aljafari has made a collage film from archival footage about Palestinian history.
Much of the material came from the Palestine Research Centre in Beirut, whose archive Israeli forces seized in 1982 during the Lebanese civil war.
Most of the archive is believed to remain in the hands of the Israeli army.
The film brings together images from different periods rather than telling events in chronological order.
It draws parallels between violence against Palestinians under British rule and later violence by Israeli forces.
Aljafari covers pejorative captions added by Israeli authorities with red paint and adds lines from Palestinian poets.
The film uses these choices to challenge historical erasure and give the images a different context.
Palestinian filmmaker Kamal Aljafari uses archival footage in his collage film A Fidai Film to confront propaganda and historical erasure.
Much of the footage comes from the Palestine Research Centre archive, which Israeli forces seized in Beirut in 1982.
The film uses montage to connect violence against Palestinians across different periods.
Aljafari covers pejorative captions on some reels with red paint and replaces them with excerpts from Palestinian poems.
- Who
- Palestinian filmmaker Kamal Aljafari.
- What
- He made A Fidai Film, a collage film using archival footage.
- When
- Not stated.
- Where
- Much of the footage came from the Palestine Research Centre archive in Beirut.
- Why
- The film confronts propaganda and historical erasure and reclaims images of Palestinian history.
This story does not have two clearly opposing sides.
Israeli forces raided the Palestine Research Centre in Beirut and seized its archive.
Aljafari used footage from the archive in A Fidai Film.
- Filmmaker
- Kamal Aljafari
- Film
- A Fidai Film
- Archive
- Palestine Research Centre, Beirut
- Seizure
- Israeli forces raided the centre in 1982










