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Sundar Sarukkai Explores Sound’s Foundations in Indian Metaphysics

Sundar Sarukkai Explores Sound’s Foundations in Indian Metaphysics
In his new book, Sundar Sarukkai argues that sound is a starting point for Indian metaphysics · scroll.in

Sundar Sarukkai says that many Indian thinkers viewed sound as much more than ordinary noise.

They believed the universe and language were deeply connected to sound.

A sound begins inside the body and becomes clearer as it moves through the throat, mouth, and other speech organs.

The sound we hear is only the visible or audible part of a deeper sound.

Meaning is also partly “unheard” because we understand what words point to rather than hearing their meaning directly.

Music is described as a search for the deeper sound behind the notes we sing.

Bhartrihari explained speech as moving through stages from an unformed sound to a spoken sentence.

In Indian classical music, each singer chooses their own starting note, called “Sa.”

Key facts

Author
Sundar Sarukkai
Book
Homo Philosophicus: Discovering the Spirit of Philosophy in Everyday Life
Language texts
Pāṇini’s Aṣṭādhyāyī and the Tamil Tolkāppiyam are cited as major works analyzing language.
Speech stages
Bhartrihari identifies pashyanti, madhyama, and vaikhari as stages in speech.
Expanded model
Abhinavagupta adds para as a first stage, creating a four-stage account.
Sound theory
Music texts distinguish very subtle, subtle, unmanifest, manifest, and artificial sound.
Musical starting note
In Indian classical music, each singer chooses their own Sa rather than using one externally fixed frequency.

Sources

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