8 months ago

Kolkata Exhibition Celebrates Rural Heritage Stories

Kolkata Exhibition Celebrates Rural Heritage Stories
Breathing (with) history: An ode to the rural heritage of India · thestatesman.com

The Kolkata Centre for Creativity (KCC) has opened an exhibition called 'Breathing (with) History – Celebrating Rural Heritage Stories' as part of the AMI Art Festival 2025.

This exhibition showcases the rich cultural heritage of rural India, featuring items like terracotta figurines, scroll paintings, traditional jewellery, and more.

The event aims to connect urban audiences with the traditions and stories of rural communities.

Artists and scholars have contributed to the exhibition, highlighting the importance of preserving these cultural practices.

The exhibition also includes digital innovations to engage children and a section on how industrial societies rely on natural resources.

It's a wonderful way to explore and appreciate the diverse cultural tapestry of rural India.

Key facts

Event Name
Breathing (with) History – Celebrating Rural Heritage Stories
Organizers
Kolkata Centre for Creativity (KCC), Indian Museum, Museum Association of Bengal
Festival
AMI Art Festival 2025
Artists
Putli Ganjhu, Parvati Devi, Shafaque Meerza, Suchorita Kanrar, Ranjit Taro, Eeshita Basu, Aptauddin Molla, Prof. Durga Basu, Prof. Tamali Chandan Roy
Key Artifacts
Bankura terracotta figurines, Chau masks, Pingla scroll paintings, Sohrai and Khovar motifs, Patua paintings, Karbi Anglong community wares, traditional jewellery, Bhadu Puja, Punni Pukur Brata, Shashthi Puja, Bheem Puja, Goshto Pujo, Unnoti Devi figure
Digital Innovation
Digital museum platform for children to explore rural traditions
Location
Kolkata, India

Quotes

Shafaque Meerza

Shafaque Meerza is associated with the Sanskriti Museum and Art Gallery, Hazaribagh, Jharkhand.

“These pieces come from the hands of village women who paint Sohrai and Khovar motifs during the harvest and wedding season, respectively, adorning mud walls with stories of abundance. Artists including Putli Ganjhu and Parvati Devi have shifted the practice onto paper, helping the tradition gain visibility abroad in countries such as Australia, Switzerland, Italy and Canada.”
thestatesman.com

Suchorita Kanrar

Suchorita Kanrar is associated with Darpan – Reflection of the Past.

“Children spend most of their time with screens. My husband and I had this wonderful idea: why not convert this idea of a museum into a digital space, where the children can openly interact with the past and explore the rural traditions?”
thestatesman.com

Ranjit Taro

Ranjit Taro is associated with Fondazione L’Albero della Vita (FADV).

“Each garment, pini (a woman’s garment worn below the waist), pekok (utilised to tie or fasten), vamkok (girdle worn by Karbi women), reflects traditional methods using cotton, silk or jute silk. Red is worn by married men, while white is worn by youth, particularly unmarried ones, and the Khanjar is a colourful poho donned by girls and women.”
thestatesman.com

Eeshita Basu

Eeshita Basu is a teacher and collector from The Heritage School.

“Even in the earliest human societies, people decorated themselves with flowers, leaves and stones. After food and clothing comes the desire to embellish.”
thestatesman.com

Prof. Durga Basu

Prof. Durga Basu heads the Society for Heritage, Archaeology & Management (SHAM).

“These events justify the popular Bengali saying ‘Baro Maashe Tero Parbon’ (There are more festivals than months in a year).”
thestatesman.com

Sources

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