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TIFF Midnight Madness Eyes Next Low-Budget Breakout Hit
TIFF’s Midnight Madness section shows unusual and exciting movies late at night.
Last year, a very cheap movie called Obsession became a huge box-office success.
This year, the horror movie River attracted a deal worth more than $10 million.
River is about siblings trapped on a boat by masked killers.
Other films mix horror with romance, comedy, action, satire, or animation.
Director Anna Biller says her movie The Face of Horror is serious, even though some viewers may call it camp.
The festival also gave its Midnight Madness audience award to Ladies and Gentlemen, Brian Mulroney.
Filmmakers and industry observers are wondering whether more small, bold movies can become major hits.
The Toronto International Film Festival’s Midnight Madness section is being watched for the next indie breakout after Obsession reportedly earned $516 million on a $750,000 budget.
River became the festival’s first major acquisition, selling from IFC to Blumhouse and Universal in a deal valued at more than $10 million.
Josh Giuliano’s River follows three siblings trapped on a river by masked killers while confronting family trauma.
Other highlighted films include Vintage Violence, The Face of Horror, and TIFF’s Midnight Madness winner Ladies and Gentlemen, Brian Mulroney.
The festival’s genre-focused lineup is prompting debate over whether unconventional midnight movies can thrive amid Hollywood’s uncertain studio landscape.
- Who
- The Toronto International Film Festival, filmmakers in its Midnight Madness section, distributors, and audiences.
- What
- TIFF showcased genre-focused films while the industry searched for the next low-budget breakout after Obsession.
- Where
- Toronto, with River filmed in West Virginia and other featured films set in locations including Japan.
- When
- At the 51st Toronto International Film Festival, one year after Obsession’s Midnight Madness debut; the award was announced on Sunday.
- Why
- The success of Obsession and the uncertainty surrounding Hollywood’s studio system have increased interest in independent midnight movies.
Midnight Movies Can Revitalize Cinema
Mainstream Audiences May Resist Them
Independent film’s future
Midnight Movies Can Revitalize Cinema
Eugene Kotlyarenko argued that limitations can encourage inventive, personal films and said American cinema is in an energetic moment where bold independent voices can break out.
Mainstream Audiences May Resist Them
The article notes that Hollywood’s studio system is facing a possible tailspin and questions whether unconventional films can secure wide releases and reach mainstream audiences.
The Face of Horror’s style
Midnight Movies Can Revitalize Cinema
Anna Biller described the film as a serious, operatic tribute influenced by Kabuki, Noh theater, and filmmakers including Visconti and Pasolini.
Mainstream Audiences May Resist Them
The film’s vivid colors, heightened performances, and melodramatic story may lead audiences to interpret it as camp, regardless of Biller’s intentions.
Key facts
- Festival
- The 51st Toronto International Film Festival
- Previous breakout
- Obsession reportedly grossed $516 million on a reported $750,000 budget.
- Major acquisition
- IFC sold River to Blumhouse and Universal in a deal worth more than $10 million.
- River production
- Fourteen of its 22 shooting days took place on the water, including 12 days on a fishing pond.
- Midnight Madness winner
- Ladies and Gentlemen, Brian Mulroney won the People’s Choice Midnight Madness Award.
- Runner-up
- The Spiral was the first runner-up, while Arrested Memory placed third.
- Featured filmmakers
- The lineup included directors Josh Giuliano, Eugene Kotlyarenko, Anna Biller, Matthew Rankin, Paolo Strippoli, and Sabu.
Quotes
Eugene Kotlyarenko
Writer and director of Vintage Violence
“We shot 14 of the 22 days on the water, 12 of those 14 days were shot on a fishing pond that was doubling as our hero location, which was the actual river with the bridge, which was the Monongahela River in West Virginia.”
deadline.com
“So, we’re actually at an amazing, energetic, fun moment for American cinema. So, let’s all learn from each other.”
deadline.com
Anna Biller
Writer and director of The Face of Horror
“The funny thing about me is that I’m not trying for camp at all. And so, I think when you play it really big, it instantly reads as camp, because it reads as melodrama and it reads as so over the top, that it reads as kind of a joke about something, but it’s not. I’m trying to do tragedy here.”
deadline.com
Sources
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