Entertainment · Books & Arts · 1 hr ago

Cervantino debate puts public spaces at the center of the arts

Cervantino debate puts public spaces at the center of the arts

The Cervantino festival has sparked debate over who can use public spaces for art in Guanajuato, Mexico.

French company Gratte Ciel performed RoZéO, a vertical circus show with acrobats raised six metres above the ground.

The company’s directors say street performances make art free and accessible to people who may not enter a theatre.

Local musicians, actors and other artists have protested outside the Teatro Juárez, saying they have faced restrictions on performing in plazas.

They argue that the limits reflect the growing privatization and bureaucracy of public spaces, and weaken the street-art tradition that helped shape the festival.

Local artists are calling for access to public spaces and say the region has talent that wants to perform there.

The available information does not say whether the authorities will respond or change the rules.

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What people are saying

Stéphane GirardGratte Ciel co-director
The reality of society is not inside the closed walls of a theater; it is in the street, in the social mix where young people, old people, rich people and people of all backgrounds interact. It is where freedom resides.
via El Economista MX
If we do not inhabit the street in a lively and luminous way, we shut ourselves in at home at the mercy of screens and algorithms. Street art gives emotion and humanity back to the community.
via El Economista MX
Camille BeaumierGratte Ciel co-director
For me, shutting myself inside a theater has never been an option. The direct relationship with the public in the street is self-evident and a democratic act.
via El Economista MX