Entertainment · Film · 1 hr ago
The Gallerist trailer shows Natalie Portman trying to sell a dead body
A new trailer previews The Gallerist, a comedy that satirizes the art world.
Natalie Portman plays a dealer preparing an important exhibition for Art Basel Miami Beach.
After an accident leaves a man dead, she tries to present his body as art to help her debut show succeed.
Zach Galifianakis plays the man, while Charli XCX, Jenna Ortega and other actors appear in supporting roles.
The story turns the corpse into a test of how far the dealer will go to gain attention in a competitive art market.
The film premiered at Sundance in January, where one early review praised its polished visuals but criticized its lack of psychological depth.
The Gallerist opens in theaters on December 4.
A trailer for The Gallerist, an art-world satire starring Natalie Portman, was released on November 5.
Portman plays a dealer who tries to sell a dead body as the centerpiece of an exhibition at Art Basel Miami Beach.
The body belongs to a character played by Zach Galifianakis, and the film also stars Charli XCX, Jenna Ortega and others.
The film is scheduled to open in theaters on December 4.
- Who
- Natalie Portman stars as an art dealer; Zach Galifianakis plays the person whose body she tries to sell.
- What
- A trailer was released for The Gallerist, a satire about an art dealer trying to pass off a dead body as art.
- When
- The trailer was released on November 5, 2026. The film is scheduled to open on December 4.
- Where
- The story is set around an exhibition at Art Basel Miami Beach.
- Why
- Not stated
This story does not have two clearly opposing sides.
The film premiered at Sundance.
A trailer for the film was released.
The film is scheduled to open in theaters.
- Lead actor
- Natalie Portman
- Body's character
- Zach Galifianakis
- Setting
- Art Basel Miami Beach
- Trailer release date
- November 5, 2026
- Theatrical release date
- December 4
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What people are saying
it slaps
It drives a stake through the very heart of the patriarchy
The Gallerist is good as eye candy: its cinematography is kinetic, poppy, and polished, and its writing tight. But the film ultimately fails to transcend its superficial veneer—it is as entertaining as it is psychologically vacant.