2 hrs ago
Alpana Buch Finds Vulnerability Beneath Baa’s Anger
Alpana Buch plays Baa on the TV show Anupamaa.
Baa can often seem angry or strict.
Buch says she tries to understand what Baa might be feeling underneath that anger.
Sometimes, she thinks Baa is afraid that her home will change or that people will leave her behind.
Buch may speak up when a line does not make sense for the character.
She also uses pauses, looks, and the way she speaks to give a scene more meaning.
When a scene is difficult, she first works out what is happening and what Baa wants.
She says Baa can be unfair, but she should still have feelings and depth.
Buch says her own personality is different from Baa’s.
Alpana Buch says she looks for vulnerability and fear beneath Baa’s stern, angry exterior.
She sometimes suggests when a line feels unjustified, but says small choices in expression, pauses, and Gujarati-inflected Hindi can also change a scene’s meaning.
Buch interprets Baa’s anger as sometimes rooted in fear of change or being left behind.
For demanding scenes, she first identifies the facts and Baa’s intentions, then focuses on how the scene sounds.
Buch says Baa may be unfair but should not feel emotionally empty, and distinguishes the character’s temperament from her own.
- Who
- Alpana Buch, who plays Leela Shah, known as Baa, in Anupamaa.
- What
- Buch described how she portrays vulnerability and emotion beneath Baa’s anger.
- Where
- The television show Anupamaa; the article is datelined Mumbai.
- When
- In an interview quote shared with IANS; no interview date was provided.
- Why
- Buch aims to make Baa emotionally complex rather than portray her as merely a villain.
Key facts
- Actor
- Alpana Buch
- Character
- Leela Hasmukh Shah, known as Baa
- Show
- Anupamaa
- Quote shared by
- IANS
- Show premiere
- 2020
- Baa’s role
- Anupamaa’s mother-in-law
Quotes
Alpana Buch
Actress who plays Leela Shah, known as Baa, in ‘Anupamaa’.
“On a daily soap the script is a moving train. You cannot stop it because you would have written the scene another way. If a line makes Baa cruel without a reason or soft without a reason, I say so. Sometimes they keep it. Sometimes one look, one pause, and one Gujarati shading in the Hindi is enough to shift the meaning.”
thehansindia.com
“I remember days when the page had Baa only scolding, and my instinct said she is also afraid—afraid of the house changing, afraid of being left behind. I did not rewrite the dialogue. I played the fear under the anger. The line stayed. The scene changed.”
thehansindia.com





