Archive · 21 Aug 2026
Gurvinder Singh’s Rehmat Brings the Past Home
Rehmat is a film made by Gurvinder Singh.
It talks about loss in a state without directly showing people dying.
Instead, the film shows photographs of people who have died.
Some scenes use long shots that do not quickly cut away.
One tense scene uses a camera that moves and zooms between the characters.
Singh worked with many young and local filmmakers.
He said a new movement of Punjabi filmmakers is developing.
Naseeruddin Shah is also part of the film, but the article does not explain his role.
Rehmat follows accumulating loss in the state without showing any deaths.
Long, uninterrupted shots end on walls displaying photographs of dead people.
A confrontational scene uses a mobile camera that repeatedly zooms between characters.
Gurvinder Singh worked with a mostly local crew and inexperienced assistants on the film.
Naseeruddin Shah is also associated with the film, though no further details are provided.
- Who
- Filmmaker Gurvinder Singh, cinematographer Shashank Walia, the film’s mostly local crew, and Naseeruddin Shah are mentioned.
- What
- Rehmat is a film portraying accumulating loss through visual storytelling rather than showing deaths directly.
- Where
- The article discusses the film in a Punjabi context, but does not specify a filming location.
- Why
- Singh wanted to portray loss, support inexperienced local filmmakers, and work with a new generation of Punjabi filmmakers.
- Film
- Rehmat
- Director
- Gurvinder Singh
- Cinematography collaboration
- Shashank Walia
- Visual approach
- Long, unbroken shots and a camera that repeatedly zooms between characters
- Depiction of death
- Deaths are not shown; scenes conclude on walls bearing photographs of dead people
- Crew
- Mostly local, including new assistant directors
- Actor mentioned
- Naseeruddin Shah