Archive · 17 Nov 2025
Acclaimed Author Jeyamohan Critiques Indian English Literature, Discusses Writing Process and Views on Language and History
Imagine words are like building blocks.
Jeyamohan is a famous writer in India who uses Tamil and Malayalam, and he thinks the way many Indian authors write in English is not very good.
He feels it's too fancy and doesn't capture the real feelings or culture of India.
He believes writers should focus on their own language, like Tamil, to create something unique and powerful.
He also sees writing as a spiritual journey, like a special kind of prayer, where the words come from a deeper place than just your own thoughts.
He thinks history and made-up stories are mixed together, like in fairy tales that are based on old stories.
When he writes for movies, he has to pick out only the most important parts with exciting visuals, which is very different from writing a long book.
Acclaimed Indian author B Jeyamohan, known for his epic Mahabharata retelling 'Venmurasu', has strongly criticized Indian English literature as 'very inferior' and 'pretentious'.
He advocates for writers to focus on regional languages like Tamil to develop a unique and authentic style, rather than over-relying on English.
Jeyamohan views his writing as a spiritual discipline ('tapasya') and believes language comes from a collective unconscious, beyond individual intellect.
He explained that adapting novels for films requires selecting visually compelling scenes and starting the narrative immediately due to audience attention spans.
Jeyamohan articulates a postmodern view that history and fiction are intertwined, with no purely objective historical accounts.
- Who
- Acclaimed Indian author B Jeyamohan
- What
- Critiqued Indian English literature as inferior and discussed his writing process, adaptation for film, and views on language and history.
- When
- Recently, in an interview.
- Where
- Not explicitly stated, but implied to be in relation to his literary career and interviews.
- Why
- To express his views on literature, language, and his personal artistic philosophy.
Author's View
Potential Counter-Argument
Quality of Indian English Writing
Author's View
Jeyamohan vehemently criticizes Indian English writing as 'very, very inferior,' 'stylised,' belonging to the 'urban upper class' with 'a lot of limitations,' and personally, he has 'no respect for it.' He cites Salman Rushdie's 'Victory City' as an example of 'stylised English' that is 'very shallow, very pretentious, very alien.'
Potential Counter-Argument
While Jeyamohan expresses strong disdain, the articles do not present a direct counter-argument. However, the existence of global recognition for translated Indian works and the use of English by regional writers to reach a global audience implicitly suggests that English can serve as a valuable bridge to international literary discourse, despite Jeyamohan's critique of its current state within India.
Role of English for Regional Writers
Author's View
Jeyamohan believes Indian writers should not associate too much with English, advocating for restriction to regional languages to cultivate a unique style and rhythm. He states that restricting himself to Tamil allowed him to create his unique style and language instrument.
Potential Counter-Argument
The article notes that for regional writers, English often becomes a means to access global literary discourse, and successful translations into English have brought international recognition to works originally written in regional languages.
Nature of History and Fiction
Author's View
Jeyamohan espouses a postmodern view that there is no objective history, only narration, and that European accounts often inflate the importance of their own nations. He argues that 'you cannot make a pure fiction without history' and 'in every fiction there is history, and in every history there is an element of fiction.'
Potential Counter-Argument
The article does not present an opposing view to Jeyamohan's perspective on the blurred lines between history and fiction. Instead, it uses examples like 'Lord of the Rings' and 'Harry Potter' to illustrate his point that even works of fantasy are deeply rooted in historical contexts.
- Author
- B Jeyamohan
- Languages Written In
- Tamil, Malayalam
- Notable Works
- Venmurasu (epic Mahabharata retelling), Ponniyin Selvan (screenplay)
- Published Works
- Over 250 (20 novels, 12 short story volumes, non-fiction, screenplays)
- Approach to Writing
- Views craft as 'tapasya' (disciplined spiritual pursuit), not a career
- Literary Philosophy
- Believes in 'god of language,' accessing collective unconscious
- Published in English
- First work appeared in English in 2022 at age 60
- Honors Refused
- Padma Shri, Sahitya Akademi award