Archive · 3 Sep 2026
Padmaavat Writer Defends Jauhar Scene Amid Swara Bhasker Row
Padmaavat includes a scene in which many women perform jauhar after their side loses a battle.
Swara Bhasker said the scene could send a harmful message to survivors of sexual violence.
She worried that viewers might think women should die rather than survive an assault.
She was also upset by the close-up of a pregnant woman taking part in the scene.
After people criticized her, Bhasker said her comments had been misunderstood.
She said she was questioning the film’s message, not insulting the women depicted.
Writer Prakash Kapadia defended the scene.
He said the filmmakers based it on their research and what history books described.
He also said people can interpret the film differently and that the renewed controversy was unnecessary.
Co-writer Prakash Kapadia defended Padmaavat’s jauhar sequence as a depiction of the period’s reality.
Kapadia said the filmmakers relied on research and accounts recorded in history books.
He described the situation as “do or die” and referred to the Rajput tradition of men performing kesariya before battle.
Swara Bhasker criticized the scene for potentially suggesting that death preserves a woman’s honour after sexual violence.
Bhasker later clarified that she did not call Rani Padmaavati or the women shown in the scene cowards.
- Who
- Padmaavat co-writer Prakash Kapadia and actor Swara Bhasker are at the center of the debate; the film stars Deepika Padukone, Ranveer Singh and Shahid Kapoor.
- What
- A dispute has resurfaced over Padmaavat’s depiction of jauhar and its possible message about women’s honour, survival and sexual violence.
- When
- The renewed debate followed Bhasker’s comments at an event and Kapadia’s subsequent interview; the reports were published on September 3, 2026.
- Where
- Bhasker discussed the issue at an India International Centre event in Delhi; Kapadia spoke to Hindustan Times.
- Why
- Bhasker questioned whether the scene could make rape survivors feel that living was dishonourable, while Kapadia said it reflected the historical reality portrayed in the film.
Criticism of the Scene
Defense of the Scene
Historical depiction versus present-day message
Criticism of the Scene
Swara Bhasker said the sequence could suggest that a woman’s purity or honour is more valuable than her life and could make a rape survivor feel cowardly for surviving.
Defense of the Scene
Prakash Kapadia said the filmmakers portrayed what their research and history books presented as the reality of that period, which he said cannot now be changed.
Meaning of jauhar
Criticism of the Scene
Bhasker questioned whether showing hundreds of women choosing death communicates that rape is the end of a woman’s life.
Defense of the Scene
Kapadia framed the scene within a broader “do or die” situation and also referred to men performing kesariya before entering battles they knew might be fatal.
Renewed controversy
Criticism of the Scene
Bhasker maintained that her criticism concerned the film’s treatment of rape, honour and survival, rather than the courage of the women depicted.
Defense of the Scene
Kapadia called the controversy unnecessary, said viewers interpret films differently and stated, “Let people say what they want.”
- Film
- Padmaavat, a 2018 period drama directed by Sanjay Leela Bhansali
- Writer’s defense
- Prakash Kapadia said the filmmakers followed research and historical accounts in books.
- Depicted event
- The film shows women performing jauhar after Rajput forces are defeated.
- Kapadia’s characterization
- He described the situation as “do or die” and discussed the kesariya tradition of men going into battle prepared to die.
- Bhasker’s concern
- She argued that portraying death as the way to protect honour could send a harmful message to sexual-violence survivors.
- Specific criticism
- Bhasker said she was particularly disturbed by a close-up of a pregnant woman participating in the jauhar scene.
- Clarification
- Bhasker said her remarks were mistranslated and that she had not called Padmaavati or the other women cowards.
