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La Scala Premieres Shostakovich's Censored Lady Macbeth

La Scala Premieres Shostakovich's Censored Lady Macbeth
La Scala gala crowd cheers premiere of Shostakovichs Lady Macbeth once censored by Stalin · livemint.com

Teatro alla Scala in Milan had a big celebration for the first performance of Shostakovich's 'Lady Macbeth of Mtsensk'.

This opera was once banned by Stalin.

The audience loved it and gave a 12-minute standing ovation.

The story is about a woman named Katerina who gets into trouble because of love and ends up in prison.

The director, Vasily Barkhatov, set the story in a dark restaurant in the 1950s, showing the harsh times under Stalin's rule.

The lead singer, Sara Jakubiak, did a great job playing Katerina.

Some people protested outside, but inside, everyone enjoyed the show.

The conductor, Riccardo Chailly, is retiring soon, and this was his last premiere.

The theater's new manager said that music is more important than political fights.

Key facts

Opera
Lady Macbeth of Mtsensk
Composer
Dmitry Shostakovich
Theater
Teatro alla Scala, Milan
Director
Vasily Barkhatov
Conductor
Riccardo Chailly
Lead Performer
Sara Jakubiak (Katerina)
Duration
2 hours 40 minutes
Standing Ovation
12 minutes

Quotes

Sara Jakubiak

U.S. soprano and performer of the title role in 'Lady Macbeth of Mtsensk'

“Whenever I prepare a role, it’s always the text and the music and the text and the rhythms, First, I do this process with, you know, a cup of coffee at my piano and then we add the other layers and then the notes. So I guess we’re actually somewhat similar in that regard.”
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“That I’m a murderess, that I’m singing 47 high B flats in one night, you know, all these things, You go, ‘Oh my gosh, how will I do this?’ But you manage, with the right kind of work, the right team of people. Yes, we’re just going to go for the ride.”
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Vasily Barkhatov

Stage director of 'Lady Macbeth of Mtsensk'

“Lady Macbeth is a very brave and exciting choice for La Scala's season opening.”
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“a weird … breakthrough to happiness and freedom.”
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Riccardo Chailly

Conductor and music director at Teatro alla Scala

“It is an opera that has long suffered, and needs to make up for lost time.”
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Sources

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