8 months ago

Vipin Sharma on Method Acting

Vipin Sharma on Method Acting
‘There are no method actors in India’: Vipin Sharma believes Aamir Khan, Ranveer Singh’s performances in Lagaan, Padmaavat can’t be called ‘method acting’ · indianexpress.com

Vipin Sharma is a famous actor in India.

He is known for his roles in movies and TV shows like Taare Zameen Par, The Family Man, and Maharani.

In an interview, he talked about his acting journey.

He said that he quit acting for a while but came back after watching his friend Irrfan Khan's performance in a movie.

He also talked about a special acting method called Meisner's Technique that he learned.

Vipin Sharma believes that the term 'method acting' is often used incorrectly in India.

He thinks that actors like Aamir Khan and Ranveer Singh are not method actors, but they have their own unique ways of acting.

He also shared funny and touching stories about his experiences with other actors and directors.

He is currently working on a new project where he will act and direct.

Key facts

Vipin Sharma
Actor known for roles in Taare Zameen Par, The Family Man, and Maharani
National School of Drama (NSD)
Institution where Vipin Sharma and Irrfan Khan studied
Meisner's Technique
Acting method Vipin Sharma trained in before returning to acting
Taare Zameen Par
Aamir Khan's 2007 film where Vipin Sharma had a breakthrough role
Irrfan Khan
Vipin Sharma's NSD batchmate who inspired him to return to acting
Aamir Khan
Actor and director known for films like Lagaan and Taare Zameen Par
Ranveer Singh
Actor known for his role in Padmaavat
Seema Biswas
Actor known for her role in The Family Man and Jolly LLB 3

Quotes

Vipin Sharma

Actor known for his role in Taare Zameen Par and other films.

“Seema is amazing, man. I know Seema from my NSD days. We did a play together a long time ago. It was some Breath play, whose Hindi version was called Kya Ye Sach Bol Raha Hai?. Seema is such a performer! The Family Man was the first time I worked with her since that play. She has a tough time with Hindi sometimes. She was shooting the night before somewhere else, so she was a bit nervous on the Family Man set. She’d be trying to say the lines before the shot, would forget, and get frustrated. But once the take happened, she was completely something else. The language didn’t mean anything. Whether it was wrong grammar or wrong Hindi, it didn’t matter because the emotions attached to it came out beautifully. She’s a wonderful actor. Have you seen Jolly LLB 3? She has no dialogues, but that last segment with her hugging the goat and crying in the court is so powerful and emotionally disturbing! She’s brilliant.”
indianexpress.com
“One major difference is there’s a lot of emphasis on the actor’s internal process. We lack that because our history is Parsi theatre, folk forms, larger than life, and a lot of melodrama. So, most of our approach to characters is very external. We pick up mannerisms. There, it’s more of soul-searching. Now, a lot of new actors have studied in New York and London, and are bringing it back to India. To be honest, there’s not even a method actor in India. It’s not possible. It’s not like we don’t have the actors who can do that, but we don’t have the process. It’s a completely different ballgame. It takes time. You can’t do method acting in a month. A lot of actors in the West go through that process for a year.”
indianexpress.com

Sources

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