9 months ago
Indian Filmmakers Turn to AI Amid Industry Struggles
Indian filmmakers are having a tough time making movies outside of Bollywood and regional cinema.
They struggle to get recognition and make money.
Some filmmakers are now using AI to make movies cheaper and faster.
They hope this will help them make big movies without spending too much.
For example, Vijay Subramaniam is making a movie about Hanuman using AI tools.
Other filmmakers are also trying AI for their projects.
However, some people are not sure if AI movies will be successful, especially in theaters.
They think audiences might not connect with AI characters.
But filmmakers believe that if the story is good and well-marketed, people will watch AI-made movies in theaters too.
Indian filmmakers struggle to gain recognition and survive outside Bollywood and regional cinema.
Notable Indian films like Pebbles and All We Imagine As Light have won awards at international festivals, but such successes are rare.
Payal Kapadia's success is attributed to her strong international network and gradual recognition.
PS Vinothraj's film Kottukkaali faced backlash and commercial pressures after its theatrical release.
Filmmakers are turning to AI to produce large-scale projects at a fraction of the cost, with projects like Hanuman and Mahabharat - Ek Dharmayudh.
- Who
- Indian filmmakers, especially independent ones and those using AI
- What
- Struggles to survive and gain recognition outside Bollywood and regional cinema; turning to AI for cost-effective production
- Where
- India, international film festivals, Mumbai, Goa
- When
- During and after the 56th International Film Festival of India (IFFI) and the Mumbai AI Film Festival
- Why
- Due to lack of a strong independent ecosystem, commercial pressures, and the need for cost-effective, large-scale production
Key facts
- Event
- Mumbai’s first AI Film Festival
- Festival
- 56th International Film Festival of India (IFFI)
- Notable Filmmakers
- Tanmay Bhat, Karan Anshuman, Shakun Batra, Vijay Subramaniam, Shekhar Kapur, Dipankar Mukherjee
- AI Tools Used
- Google’s Nano Banana, OpenAI’s Sora, InVideo, Morphic, Microsoft Azure’s AI Foundry
- Challenges Faced
- Lack of independent ecosystem, commercial pressures, limited theatrical releases, poor box-office runs
- Example of Success
- Payal Kapadia's international network and recognition
- Example of Struggle
- PS Vinothraj's Kottukkaali facing backlash and commercial pressures
- AI Projects
- Hanuman (2026), Mahabharat - Ek Dharmayudh, Warlord, 2-3 animation films
Quotes
Vijay Subramaniam
Founder of Collective Artists’ Network (CAN)
“I am a firm believer in technology to make content faster, better, and more economical. This has to happen, otherwise we will never come out of the flux the filmmaking business is in right now. We can’t take many years and millions of dollars to make films at scale.”
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“Today, I do not have to spend hundreds of crores on telling a story like Mahabharat, which requires massive sets and actors. We have invested in hiring humans, who can create an expensive location of Hastinapur by giving the right command to AI tools.”
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Dipankar Mukherjee
Founder of Studio Blo
“The cost of movies and the time it takes is easily less than half of what it would cost to make a feature film. But the point isn’t the cheapness - it’s the scale.”
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Himani Agrawal
Chief Operating Officer of Microsoft India
“In India, given the scale of content consumption, there are a lot more companies that are going to adopt AI tools for content manufacturing. CAN is the only prominent player we can talk about as of now. But we see the media and entertainment sector as a space, which is going to need a lot of AI to get the scale and speed of content that customers like you and I have gotten used to consuming.”
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Nimish Choubey
One of the makers of the short film Amrit
“Opportunities have changed now in music production. Earlier, an ad agency would hire an artiste to make a jingle. Now you don’t need to hire a professional artiste, now for most of the cases you don’t need a musician to do this.”
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Ram Madhvani
Filmmaker
“We can go on to make a lot of content out of AI, which could be less time-consuming than a live-action film. But unless the audience believes the character, and feels emotionally connected to what’s happening on screen, and if the cinematic illusion breaks, the audience does not want to pay for the content.”
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Rahul Puri
Managing Director of Mukta Arts and Mukta A2 Cinemas
“There is a possibility of AI-generated content replacing what has so far been created in the animation domain. But that has never been a big market in India theatrically. At this point, the technology isn’t sophisticated enough for people (in cinemas) to suspend disbelief around what seems like a comic book coming to life, and I think we are a long way off from this becoming mainstream.”
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Sources
Veteran filmmaker Adoor Gopalakrishnan slams recent National Film Awards — claims 'worst films' are winning
Cruel reality for filmmakers in India: It’s difficult to survive outside Bollywood and regional movie industries
IFFI must match ambition with a greater sense of purpose





