Archive · 7 Nov 2025
Composer Volker Bertelmann Creates Unique 'Crying Planet' Score for Kathryn Bigelow's 'A House of Dynamite'
Imagine a movie about a surprise missile heading towards a city!
The director wanted the music to sound really special, like the Earth itself was sad.
The composer, Volker Bertelmann, worked with musicians to make instruments like flutes sound like they were moaning or crying.
He also used very short musical ideas, like four musical notes, instead of long songs, because there was a lot of talking in the movie.
He learned how to do this from another movie he worked on that won an award.
He even loved the microphones the musicians used so much that he wanted to buy them for his own studio!
Composer Volker Bertelmann created a unique score for Kathryn Bigelow's 'A House of Dynamite'.
Bertelmann used woodwinds to simulate a 'crying planet' sound by having musicians hum while playing.
The score uses minimal, four-note motifs due to the film's heavy dialogue.
Bertelmann previously composed the Oscar-winning score for 'All Quiet on the Western Front'.
He was impressed by the microphone knowledge at George Martin's AIR Studios and considered buying their equipment.
- Who
- Volker Bertelmann, composer for 'A House of Dynamite'
- What
- Created a unique musical score using woodwinds and minimal motifs to convey the feeling of a 'crying planet' and escalating tension.
- When
- At Deadline's Sound & Screen: Film event, discussing his work on the film.
- Where
- The score was developed with musicians at George Martin's AIR Studios and Bertelmann's home studio in Dusseldorf.
- Why
- To create an evocative and escalating soundscape that fits within the film's dialogue-heavy structure and reflects the crisis from multiple perspectives.
Composer's Artistic Vision
Film's Dialogue-Heavy Structure
Musical Complexity
Composer's Artistic Vision
Bertelmann aimed for unique, evocative sounds, like a 'crying planet,' by having musicians hum while playing woodwinds, and appreciated the microphone expertise at AIR Studios.
Film's Dialogue-Heavy Structure
The film's heavy dialogue required Bertelmann to use minimal, four-note motifs that could fit between sentences, drawing from his experience with previous minimal scores.
- Film Title
- A House of Dynamite
- Director
- Kathryn Bigelow
- Composer
- Volker Bertelmann
- Studio
- George Martin's AIR Studios
- Bertelmann's Previous Work
- All Quiet on the Western Front
- Actor
- Idris Elba