Archive · 5 Nov 2025
Misogyny Persists in Carnatic Music, Women Percussionists Face Discrimination
Imagine a special kind of Indian music called Carnatic music.
For a long time, some people in this music world have been unfair to women who play instruments, especially drums like the mridangam.
Even though women have played music for hundreds of years, male musicians sometimes don't want to play with them.
They might say it's because of tradition or how women move differently when playing drums, which they think is 'un-feminine'.
Recently, a famous male drum player even refused to play a concert with a woman drummer, even though he had played with her before.
This shows that it's still hard for women to be accepted and respected as musicians, especially in harder-to-play instruments like the drums, and their stories are often not told as much in history books.
Women percussionists in Carnatic music face significant gender bias and discrimination.
Historical accounts detail male musicians opposing women's public performances as early as the 1930s.
Societal expectations dictate that women's music should be 'feminine,' which percussion playing often challenges.
Recent incidents reveal male musicians refusing to perform with women, often masking misogyny with justifications.
The historical record often marginalizes or omits the contributions of women percussionists in Carnatic music.
- Who
- Women percussionists in Carnatic music
- What
- Face ongoing discrimination, misogyny, and rejection from male musicians and organizers.
- When
- Throughout history, with recent incidents occurring shortly before Covid.
- Where
- Primarily within the Carnatic music scene in India.
- Why
- Challenging traditional gender roles and stereotypes associated with women's performance and physicality in music.
- Historical Precedent
- Women performing in Carnatic music have faced opposition from male musicians since at least 1933.
- Dress Code Issues
- Not wearing a saree can be an issue for women in Carnatic music, but wearing one does not guarantee an easy path.
- Gendered Expectations
- Women are expected to embody elegance, beauty, and tenderness in music, which clashes with the perceived 'un-feminine' movements of percussion.
- Recent Incidents
- A senior mridangam player declined to perform with a woman percussionist shortly before Covid, despite having played with her previously.
- Challenges for Women Percussionists
- Women percussionists face rejection, effacement, and are often marginalized or invisibilized in documented history.
- Notable Women Percussionists
- N.S. Rajam and Dandamudi Sumathi Rama Mohan Rao are identified as acclaimed women mridangam players.