Archive · 30 Aug 2026
Kriti Sanon Deserves More Than Repetitive Glamorous Roles
The article says Kriti Sanon is a talented actor who has played many different kinds of characters.
Recently, it feels to the writer that she is often given similar roles.
These women are usually glamorous, emotionally hurt and make questionable choices.
The writer says there is nothing wrong with imperfect women in movies.
However, a character should have more personality and development than just her problems.
Sanon’s earlier films showed more variety and experimentation.
Some of her newer roles are criticized for giving her little character growth.
The writer wants her to play surprising and different characters.
The main idea is that Sanon deserves better-written opportunities.
An opinion piece argues that Kriti Sanon is increasingly being cast as a desirable, damaged and emotionally complicated woman.
The article says flawed female characters can be valuable, but their flaws should not become their entire personalities.
Sanon’s earlier roles in films including Heropanti, Bareilly Ki Barfi, Mimi and Bhediya are cited as evidence of her range.
Do Patti and Tere Ishk Mein are described as emotionally intense roles that remain tied to trauma, violence or romantic dysfunction.
The piece urges filmmakers to give Sanon more varied parts, including comedy, villainy, absurd characters and ordinary women with complex inner lives.
- Who
- Actor Kriti Sanon and the filmmakers creating her recent roles.
- What
- An opinion piece argues that Sanon is being stereotyped in repetitive glamorous, emotionally bruised roles and deserves greater variety.
- When
- The discussion covers her career, especially Do Patti (2024), Tere Ishk Mein (2025) and Cocktail 2 (2026).
- Where
- Hindi cinema.
- Why
- The writer believes Sanon’s recent characters lack sufficient personality or character arcs despite her demonstrated willingness to experiment.
Defending Flawed Female Characters
Seeking Broader Characterization
Whether difficult women belong onscreen
Defending Flawed Female Characters
Hindi cinema needs more women who are messy, selfish, ambitious, morally complicated and capable of making terrible decisions.
Seeking Broader Characterization
Flawed characters are worthwhile only when they have meaningful motivations, agency, contradictions and development rather than being defined solely by damage or desirability.
Sanon’s recent casting
Defending Flawed Female Characters
Roles in Do Patti, Tere Ishk Mein and Cocktail 2 place Sanon in emotionally intense, glamorous territory that can offer opportunities for dramatic performance.
Seeking Broader Characterization
The article argues that Sanon has already demonstrated she can play this archetype, and that recent roles—particularly Cocktail 2—do not give her enough of an arc or allow sufficient experimentation.
- Central criticism
- Sanon is repeatedly portrayed as a hot, complicated and emotionally damaged woman.
- Earlier range
- Her cited roles include a glamorous character in Heropanti, a small-town aspirant in Bareilly Ki Barfi, a surrogate in Mimi and a werewolf in Bhediya.
- Award recognition
- The article says Sanon won the National Film Award for Mimi.
- Recent examples
- Do Patti and Tere Ishk Mein are presented as emotionally volatile roles connected to trauma, violence or romantic dysfunction.
- Cocktail comparison
- The article compares Cocktail 2 with Deepika Padukone’s Veronica in the first Cocktail.
- Suggested alternatives
- The writer calls for Sanon to receive comedy outside romance, villainous or absurd roles, and deeply ordinary characters with rich inner lives.